{"id":17371,"date":"2025-02-17T22:00:31","date_gmt":"2025-02-17T22:00:31","guid":{"rendered":"https:\/\/beta.terceirapessoa.pt\/portfolio_page\/from-my-village-i-can-see-how-much-of-the-earth-can-be-seen-in-the-universe\/"},"modified":"2024-11-02T00:12:36","modified_gmt":"2024-11-02T00:12:36","slug":"da-minha-aldeia-vejo-quanto-da-terra-se-pode-ver-no-universo","status":"publish","type":"portfolio_page","link":"https:\/\/www.terceirapessoa.pt\/en\/portfolio_page\/da-minha-aldeia-vejo-quanto-da-terra-se-pode-ver-no-universo\/","title":{"rendered":"FROM MY VILLAGE I CAN SEE HOW MUCH OF THE EARTH CAN BE SEEN IN THE UNIVERSE"},"content":{"rendered":"
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PERFORMING ARTS<\/h2>
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SYNOPSIS<\/h5>

FROM MY VILLAGE I SEE HOW MUCH OF THE EARTH CAN BE SEEN IN THE UNIVERSE is a multidisciplinary performance that takes place between the vision of a drone and the hands of an embroiderer.<\/strong> During an artistic residency in each place, the creators live a series of experiences with the places and the people who inhabit them, and try to create a performative artistic object that shares these experiences.<\/p>

How do we tell someone about all the days we spend in a place? How do we make these events shareable and transmissible through a performative device made up of words, voices, sounds, images, objects, gestures? How is it possible for a personal experience to become common ground for other people who weren’t there? How does this sharing of the sensible happen? <\/strong><\/p>

Throughout the various meetings we had with people from each place, this was the experience we proposed to them. That they tell us about their personal and collective memories, using objects, images, stories, moments, letters and postcards as a starting point. Listening to people share their stories, we always had a strong sense of presence; whenever people told something, it was as if the act of telling put us there, where what was being told happened. Whether we were in the village or elsewhere, whether we were in 2018 or any other year, whether it was today or a few years ago, the performative act of telling and sharing what was a memory always said: it’s here and now, again. <\/p>

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ARTISTIC AND TECHNICAL FILE<\/h5>

artistic direction, creation and interpretation_<\/strong> Ana Gil and Nuno Le\u00e3o<\/p>

dramaturgy and text_<\/strong> Nuno Le\u00e3o<\/p>

costumes and stage space_<\/strong> Ana Gil<\/p>

co-creation and sound composition_<\/strong> Rui Dias<\/p>

co-creation and video_<\/strong> Tiago Moura<\/p>

light design_<\/strong> pedro fonseca \/ collective,ac<\/p>

embroiderers_ <\/strong>Dona Gracinda (Juncal do Campo), Herm\u00ednia Marta Caetano (Alcanena), Maria Eduarda Pereira (\u00cdlhavo)<\/p>

local participants_ <\/strong>inhabitants of Juncal do Campo<\/strong> \/ Participants Alcanena_<\/strong> Augusto Pereira, In\u00eas Caetano, Isabel Lobo, Jos\u00e9 Moita, Margarida Gil, M\u00e1rio Caetano, Isabel Caetano, Lu\u00eds Sim\u00f5es, S\u00f3nia Bento, Sofia Fraz\u00e3o \/ Participants \u00cdlhavo_<\/strong> Ana Vieira, Anabela Pequeno, Ant\u00f3nio Jos\u00e9 Fernandes, Ant\u00f3nio Oliveira, Gumerzindo Jacob, Helena Fernandes, Mafalda Oliveira, Maria Eduarda Pereira, Maria Filomena Pereira, Maria J\u00falia Rocha<\/p>

thanks_<\/strong> people from the villages of Freixial do Campo and Juncal do Campo, people from Alcanena, people from \u00cdlhavo, people from Oledo and Idanha-a-Nova<\/p>

organization_<\/strong> C\u00e2mara Municipal de Castelo Branco, Castelo de ARTES – Encontros de Castelo Branco 2018, Festival Materiais Diversos 2021, Festival R\u00e1dio Faneca 2022, Centro Cultural Raiano, Cine-Teatro Estarreja, Junta de Freguesia do Salgueiro do Campo, Junta de Freguesia de Sarzedas<\/p>

production_<\/strong> Third Person Association<\/p>

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GALLERY<\/h5>
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VIDEOS<\/h5>
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