{"id":17367,"date":"2024-09-13T21:19:34","date_gmt":"2024-09-13T21:19:34","guid":{"rendered":"https:\/\/beta.terceirapessoa.pt\/portfolio_page\/trace-margin-clarion-wanting-to-die-comfortably-in-pain\/"},"modified":"2024-11-02T00:12:43","modified_gmt":"2024-11-02T00:12:43","slug":"rastro-margem-clarao-querer-se-morrer-confortavelmente-na-dor","status":"publish","type":"portfolio_page","link":"https:\/\/www.terceirapessoa.pt\/en\/portfolio_page\/rastro-margem-clarao-querer-se-morrer-confortavelmente-na-dor\/","title":{"rendered":"TRACE, MARGIN, CLARION Wanting to die comfortably in pain"},"content":{"rendered":"
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PERFORMING ARTS<\/h2>
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TO WANT TO DIE COMFORTABLY IN PAIN<\/strong> is a performance by Filipa Matta and \u00d3scar Silva created in the context of the multidisciplinary project “Rastro, Margem, Clar\u00e3o”, in which a collective of creators in the performing arts, visual arts and essayists set out to think about the writing of Rui Nunes (b. 1945) in its heterogeneities, thematic nodes and concerns, in a bold and heuristically transdisciplinary approach.<\/p><\/blockquote>

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SYNOPSIS<\/h5>

He – She’s at home, full of another world than this one. She’s dirty. She’s never stopped looking at me. She is and carries a feverish energy. It disgusts me <\/p>

She – He’s everything I invent. He comes from a time dragged out like a dead goat. What’s in him is rotten. Death cruelly prolongs it. In other words, I only invent him. A decomposing body that contaminates me. I’m disgusted. <\/p>

Wanting to die comfortably in pain<\/strong> is a performance by Filipa Matta and \u00d3scar Silva, created in the context of the multidisciplinary project “Rastro, Margem, Clar\u00e3o”, which involves creators in the performing arts, visual arts and theoretical essay around the universe of Rui Nunes’ writing.<\/p>

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ARTISTIC AND TECHNICAL FILE<\/h5>

<\/strong>Creation and interpretation_<\/strong> Filipa Matta and \u00d3scar Silva<\/p>

Design and operation of light and sound_<\/strong> pedro fonseca\/colectivo, ac<\/p>

Stage design_<\/strong> Filipa Matta, \u00d3scar Silva, pedro fonseca<\/p>

Scenic space construction_<\/strong> collective, ac<\/p>

Text_<\/strong> Filipa Matta and \u00d3scar Silva, based on writing by Rui Nunes<\/p>

Make-up_<\/strong> C\u00e9lia Machado, Elisabete Silva<\/p>

Communication design_<\/strong> C\u00e1tia SantosStage photography and video_<\/strong> Tiago MouraStage photography_<\/strong> Nuno Le\u00e3oExecutive production_<\/strong> Bruno EstevesProduction_<\/strong> Terceira Pessoa – Associa\u00e7\u00e3o<\/p>

Funding_<\/strong> Dire\u00e7\u00e3o-Geral das Artes \/ Rep\u00fablica Portuguesa – Cultura, Teatro Municipal da GuardaCreative residencies_<\/strong> F\u00e1brica da Criatividade Castelo Branco, Devir\/CaPA Centro de Artes Performativas do Algarve, O Espa\u00e7o Do Tempo<\/p>

Acknowledgments_<\/strong> Teatro Artimanha, Funceramics, Olaria Nova de Set\u00fabal<\/p>

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GALLERY<\/h5>
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VIDEOS<\/h5>
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