{"id":17357,"date":"2024-09-15T21:15:32","date_gmt":"2024-09-15T21:15:32","guid":{"rendered":"https:\/\/beta.terceirapessoa.pt\/portfolio_page\/track-margin-clarion-all-it-takes-is-for-a-bird-to-fly\/"},"modified":"2024-11-01T23:41:13","modified_gmt":"2024-11-01T23:41:13","slug":"rastro-margem-clarao-basta-que-um-passaro-voe","status":"publish","type":"portfolio_page","link":"https:\/\/www.terceirapessoa.pt\/en\/portfolio_page\/rastro-margem-clarao-basta-que-um-passaro-voe\/","title":{"rendered":"TRACK, MARGIN, CLARION | All it takes is for a bird to fly"},"content":{"rendered":"
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COMMUNITY PROJECTS<\/h2>
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SYNOPSIS<\/h5>

BASTA QUE UM P\u00c1SSARO VOE<\/strong> is a creation by Rui Dias Monteiro (photography) and V\u00edtor Ferreira (text) developed in the context of the multidisciplinary project “Rastro, Margem, Clar\u00e3o”,<\/strong> in which a collective of creators in the performing arts, visual arts and essayists set out to think about the writing of Rui Nunes (b. 1945) in its heterogeneities, thematic nodes and concerns, in a bold and heuristically transdisciplinary approach.<\/p>

\u2014<\/p>

– see how everything moves. All it takes is for a bird to fly for the world to move. These are the very simple things I see. The only ones I can think of. <\/p>

Rui Nunes, Portrait Album<\/p>

Montemor-o-Novo, 2020. Trace, margin, flash. To set the world in motion: at last, I say the missing prayer. This photograph is also mine. I told you that you would find it. There were images waiting for you on this road, which, alone and together, we took on different days, at different speeds, under different weather conditions. I finally paid what I owed you: a Cristal beer, a bottle of water, in a caf\u00e9 in Pai\u00e3o. <\/em><\/p>

The title of this book, suggested by RDM, appropriates the excerpt above, but does not conclude it. Instead, it demands an exercise in imagination from those who see the photographs. The exercise of seeing must be, above all, a doubt. It’s enough for a bird to fly: what for? It’s up to each of us to see, that is, to invent a fiction. <\/p>

(The light is different here. It cuts through the thorns with its warmth)<\/p>

After the photo. The two birds have already taken off. The sun is almost down. So let’s close with the last fragment of Album of Portraits, with these final words, so exact in their stuttering: <\/p>

It is no longer known who started this long speech, people were born from it and successively erased from it, some were reborn to complete interrupted descriptions or prolong unknowns<\/em><\/p>

the world is a varied forest: says the narrator. He feels his own adventure is almost over and fears the opacity of a house that has been definitively built <\/em><\/p>

(this is my abandonment)<\/em><\/p>

Ecce homo.<\/em><\/p>

[Excerto do ensaio de V\u00edtor Ferreira]<\/p>

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ARTISTIC AND TECHNICAL FILE<\/h5>

Photography_ Rui Dias Monteiro<\/strong><\/p>

Text_ V\u00edtor Ferreira<\/strong><\/p>

Third Person<\/strong> Edition<\/p>

Graphic Design_ C\u00e1tia Santos<\/strong><\/p>

Video and process photography_ Tiago Moura<\/strong><\/p>

Production_ Ana Gil, Nuno Le\u00e3o<\/strong><\/p>

Executive Production_ Bruno Esteves<\/strong><\/p>

Printing_ Norprint Artes Gr\u00e1ficas – the home of the book<\/strong><\/p>

350 copies, November 2020<\/p>

Funding and publishing support_ Directorate-General for the Arts \/ Portuguese Republic – Culture, Castelo Branco City Council<\/strong><\/p>

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GALLERY<\/h5>
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VIDEOS<\/h5>
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