TEKNÉ is a work of theatre in which the final show is sought via its technical set-up and preparation.

A PLACE WITHOUT COORDINATES is a performance by Maria Fonseca and Miguel Moreira, developed in the context of “Trace, Margin, Flash”, a multidisciplinary project concerning the universe found in the writings of Rui Nunes, involving creators from the areas of performing arts, visual arts and essay.

LONGING TO DIE IN COSY SUFFERING is a performance by Filipa Matta and Óscar Silva, developed in the context of “Trace, Margin, Flash”, a multidisciplinary project concerning the universe found in the writings of Rui Nunes, involving creators from the areas of performing arts, visual arts and essay.

BLACK LIGHT is a performance by Ana Gil and Nuno Leão, developed in the context of “Trace, Margin, Flash”, a multidisciplinary project concerning the universe found in the writings of Rui Nunes, involving creators from the areas of performing arts, visual arts and essay.

FROM MY VILLAGE I SEE HOW MUCH OF THE EARTH CAN BE SEEN IN THE UNIVERSE is a multidisciplinary performance that takes place between the sight of a drone and the hands of a embroiderer.

The  KIF-KIF show, from the Arabic “kif” which can mean “equal”, inspired by the events surrounding the final of the 2016 UEFA European Football Championship.

HERE IS ALWAYS ANOTHER PLACE is a show that starts from the adolescent body as a territory of questioning and a manifestation of a restless and transitory look.

COMMON SENSE – a vague remembrance of a show continues the path that Terceira Pessoa and Óscar Silva started in 2016 with The Old Image of Being Loved.

THE OLD IMAGE OF BEING LOVED consists of two objects (a work of art in constant construction and a theatre show) that coexist in the same space and time – two lines of drama that intersect and depend on one another.

Starting from the universe of the first years of life and the stories of those times, FIRST CHILDHOOD: FABLES focuses on the figure of Maria Rita, a nine year old child who began performing shows with Terceira Pessoa at the age of six, never ceasing to be involved in creative processes.

REGISTRATION: CHILDHOOD is the first part of a triptych of shows around the idea of ​​country, identity and registration.

REGISTRATION: YOUTH is the second part of a triptych of shows around the idea of ​​country, identity and registration.

REGISTRATION: ADULT AGE is the third part of a triptych of shows around the idea of ​​country, identity and registration.

THINKING HANDS OR HAND-BOOK TO THINK is the result of an invitation from the project “Dialogues… Science, Tradition & Culture” to Terceira Pessoa and to Pé de Pano Projectos Culturais, to develop a stage performance starting from the craftsmen and artisans that live and work in the Beira Baixa region.

HEY YOU: A SUMMER ACT is a theatre project for public space that took place at the Teatro Agosto festival in Fundão.

HEY YOU: SORRY FOR THE INCONVENIENCE, WE ARE TRYING TO CHANGE THE WORLD is a Terceira Pessoa project, involving a group of 70 people of all ages in the Castelo Branco area.

KURT COBAIN: THERE’S NO END IN US is a project by Ana Gil & Nuno Leão in partnership with the Cine-Teatro Avenida de Castelo Branco, aimed at students aged 13 to 18 years.